Online publication Digital Trends praised the album for moving "beyond pieces that are simply 'peaceful' or 'sad' and creates tracks like 'Taswell' and 'Kyoto' that feel like distinct performances".

Additionally, this soundtrack contains the collectible records, which are little vinyl songs you can find in Minecraft, the game. Tenía una melodía que siempre me pareció curiosa (que hasta se me grabó en la cabeza) y fue la razón por la que busqué la música del mc en primer lugar. In 2015, after quietly self-releasing Minecraft Volume Alpha and Minecraft Volume Beta , Rosenfeld partnered with Ghostly International to reissue Minecraft Volume Alpha on vinyl and CD. Ghostly International is thrilled to give this unique collaboration its due treatment and hopes to see the creative inspiration which drives Minecraft and Rosenfeld continue to disperse by virtue of this unexpectedly universal music.The name Daniel Rosenfeld may not mean much to most people, but under the alias C418 he is responsible for the soundtrack to ‘Minecraft’, the single biggest selling video game of all time. Originally self-released in 2013, Minecraft Volume Beta was C418’s longest batch of music to date at nearly 140 minutes. Recuerdo esos días donde hacía casitas en mundos planos en el modo creativo y escuchar de repente Haunt Muskie. The double LP arrives in August 2020 on standard black and fire splatter colored vinyl, available in regular sleeves as well an exclusive limited-edition jacket with a lenticular cover which gives depth and movement to its 3D-rendered image.

Beginning 2” is just like “Beginning” on Alpha, perhaps the end to the album, or just the beginning. Though now that I think about it, I feel like Volume Alpha might be a love record to Europe, while Beta is dedicated to America and Asia. The release garnered attention from proper music critics and the gaming community alike, becoming one of the most sought after records in the Ghostly catalog. My copy has pops playing during some moments of The End, it took me until today to realise that they are not present in digital version (apart from the last minute of the track). On some vinyl pressings, lenticular printing is used to give depth to the blocks in the image and highlight the inner grass block.Questo sito Web utilizza i cookie per migliorare la tua esperienza durante la navigazione nel sito Web. As C418, composer and producer Daniel Rosenfeld designs sounds to resonate in both physical and pixelated realms. a b Although there is a music disc titled "11" found in game, the track "Eleven" is different from the in-game music disc. However this time I actually did use Moog synthesisers, along a lot of other synths that I acquired over the course of making this album.

taswell is caked in a noticeable amount of distortion which is sad considering it’s one of my favorite tracks off the album. Speaking of The End, it's a shame that the simulated locked groove isn't an actual locked groove, such a missed opportunity. For this next release, Rosenfeld was again given complete creative control on the soundtrack that would be implemented as part of Minecraft's November 2013 Music Update. This song tries to play with the idea that even hell isn’t all bad, and there’s good things to be found.Like all the other “creative mode” songs, this one is also about the awe of the creativity to be found in Minecraft. I do love minimalism and achieving tones with just very few notes, and I think this song does that extremely well. The average song on Volume Beta is far longer than its predecessor [4] – at the time of the album's release, it was Rosenfeld's longest ever work. And with “Dreiton”, the are essentially only two sections on a song that clocks in at over 8 minutes. Ghostly International is thrilled to give this unique collaboration it's due treatment and hopes to see the creative inspiration which drives Minecraft and Rosenfeld continue to disperse by virtue of this unexpectedly universal music.